If you are serious about photojournalism,

you will love joining

PJ/ONE

Join us MONDAY, MARCH 22, 7:00 PM

Hidden Light, 427 S. San Francisco

EXTRA CREDIT FOR THIS CLASS COMING UP:

AMI VITALE AT THE PJ/ONE AUCTION OPENING

REGULAR EXTRA CREDIT

HIDDEN LIGHT, 427 S. SAN FRANCISCO

6-9 PM, FRIDAY, MARCH 5.

TWO PAGE REPORT FOR EXTRA CREDIT BY NEXT CLASS PERIOD

-

JAY DROWNS, PHOTOGRAPHER, SPORTING NEWS

THURSDAY, MARCH 4, 4 PM, ROOM 242

(LAURA CAMDEN'S CLASS)

TWO PAGE REPORT FOR EXTRA CREDIT BY NEXT CLASS PERIOD

-

THE AMAZING JOEL GRIMES

GREAT PORTRAITS

MARCH 10, 7 PM, ROOM 119

TWO PAGE REPORT FOR EXTRA CREDIT BY NEXT CLASS PERIOD

(If this page is not updated, try refreshing the page)

Welcome to PHO 284

DUE THIS WEEK, MARCH 12

No assignment due this week

• REPORT ON AMI VITALE TALK,

WHAT DID IT MEAN TO YOU?

and

•MINI STORY DUE

Shoot your event or idea, edit down to three top photos that have different optics, viewpoint, mood, etc., and please bring your entire take to class for review. Have this done BEFORE class.

SOME EXAMPLES OF MINI STORY COVERAGE BY FORMER STUDENTS

See Erika Schultz' High School Rodeo coverage

(has more than three photos, but a perfect example of mini-story coverage)

http://www.schwepkerphoto.com/schultz2.html

 

1. ALL THREE PHOTOS ARE COMPELLING AND ARE STRONG ENOUGH TO STAND ON THEIR OWN.

THAT MEANS THAT IF YOU WERE NOT ABLE TO RUN ALL THREE PHOTOS,

EACH PHOTO WOULD BE STRONG ENOUGH TO BE PUBLISHED ALONE.

2. THERE IS A STRONG DOMINANT PHOTO

3. YOU GET THREE DIFFERENT PERSPECTIVES OF YOUR SUBJECT

THAT, PUT TOGETHER, TELLS A STORY.

4. YOU GET A MEANINGFUL CLOSEUP AND CONTEXT PHOTO.

YOUR EVENT SUBJECT CAN BE ANYTHING

AND DOES NOT HAVE TO BE A MAJOR EVENT.

5. YOUR PHOTOS ARE CANDID, NOT POSED. IT IS CANDID STROY TELLING.

YOU CAN MAKE GREAT PHOTOS FROM A BORING EVENT!!!!

PHO 284 SPRING, 2010 ASSIGNMENT SCHEDULE

THIS IS YOUR OFFICIAL SCHEDULE.

(This is a new and converged class and our schedule will change according to our needs and those of the combined converged classes of journalism and EMF)

Jan. 15 FIRST CLASS SESSION

Feb. 12 Feature photo (see below)

Feb. 19 One-hour shoot (canceled)

Feb. 26 MIDTERM DUE

Feature re-shoot

March 5

Ami Vitale in class

March 12 Mini story due

March 15-19 Spring Break

March 26 Best of Spring break photos due for class project

April 9 Mini story with audio due

April 16 Photo story with audio due

April 23 Preparation for Portfolios

April 30 PORTFOLIOS DUE (FINALS DUE FOR THOSE WHO
SCORED UNDER 90 ON MIDTERM)

CHECK OUT THESE LINKS FOR A GOOD LOOK AT QUALITY PHOTOJOURNALISM:

AMERICAN SOLDIER, photographed by Craig Walker

See The Best of LATimes Photojournalism, 2009

See the garage band tutuorial

SEE LA TIMES COVERAGE OF HAITI

MORE LA TIMES COVERAGE OF HAITI

BOSTON COVERAGE OF HAITI

PLEASE READ THIS:

A student in this class brought up a good point and a key topic I need to address.

She felt that a certain "detail" shot could not be used because it could not stand on its own.

And, in a sense, she is right.

A photo story, mini story or project often need a "change of pace photo,"

better known as a "visual break" photo.

A "detail" shot is such a photo.

It may not have a face or person in it.

*

A "detail" shot seldom would

be a photo that is one that would "stand on its own,"

meaning, it will seldom be chosen as a

prime photo.

In media photography--be it multimedia or print--a "detail" shot is a "supporting" shot,

not a prime shot.

You may have noticed that Erika shoots a a fair number of detail photos,

as do most accomplished photojournalists.

The idea of a "detail" photo is not to stand alone,

but rather to give a photo designer the ability to use as a photo as a visual break.

When editing for photo stories, mini-stories or project work,

do not feel you have to exclude a "detail" shot because it can't stand on its own.

It is a VISUAL BREAK photo, essential especially in multimedia work.

Peter

VIEW THESE LINKS:

See the 2008 Homecoming Multimedia Show

See the blog of Erika Schultz

See Erika's work from London and NAU

See the Gary O'Brien Website

See Gary O'Briend Panos

See this multimedia show

PAST REVIEW LINKS:

PLEASE REVIEW "BIG THREE" THIS WEEK

See Common Ground multimedia show

See the 2008 photojournalism work of Michael Chow